This piece, entitled Undressing (after Lambourne) was selected for the 2012 Waverley Woollahra Art Show. I am really pleased to have been selected and although not a winner in the Mixed Media section it was great to be able to expose (sic) my work to a larger audience. Next year I will attempt something larger and more ambitious to incorporate glass and textile art.
Monday, July 16, 2012
Paddington Markets Update
Well so far so good(ish) and after four weeks I am ahead after costs despite the perfect storm for small retailers - low tourist traffic, low sales demand and winter weather!! Absolutely the right decision and just have to persevere and learn some patience. A huge thank you to all those that have bought from me and all of the encouragement and positive feedback.
Paddington Markets is situated in the grounds of the heritage listed sandstone Paddington United Church amidst Victorian terraces and modern art galleries of the beautiful city fringe suburb of Paddington. Easy to get to by bus and with over 600,000 visitors each year it is Sydney's 6th most popular destination for tourists.
The Markets showcase the best of Australian contemporary art, craft and design directly by the designers and makers at their stalls. The Markets have operated since 1973 and are a fantastic place to visit and find unique and special gifts. So, what are you waiting for - come visit Savitrine Glassworks at Paddington Markets and have a great day out. Mention this blog entry for a 10% discount!!
Sunday, July 15, 2012
Now at Paddington Markets every Saturday!!!
Savitrine Glassworks can now be found trading at Paddington Markets every Saturday, rain or shine, from 10:00 til 16:00. This is a major step forward in getting my work exposed to a wider audience and in selling some products to finance the business. Every week there will be up to 60 glass pieces available for sale from small bowls to framed glass panels. We will of course continue to accept commissions if you want something made exclusively for your home, office or as a gift.
Come to Paddington and say hello - 10% discount if you mention this blog entry!!
Friday, October 7, 2011
Baffled, bemused and bewildered
Having launched the Savitrine Glassworks online gallery and shop I was reflecting on how far I have come in 18 months and the techniques I have developed and the experiments I have tried to produce different glass pieces. I figure that there are 8 techniques I use often and am (relatively) confident in employing. It got me thinking about what else I have seen and read about. I counted over 40 so that means I am about 20% there. Not bad really!!
So here they all are;
- Fire Polishing
- Tack Fusing
- Full Fusing
- Metal inclusions
- Mould making (definitely need more practice!!)
- Glass Paint & Mica
- Glass Chalk and Clay
- Cold Combing
- Hot Combing
- Freeze and Fuse
- Foam Glass
- Making my own Art Glass sheets
- Stack Firing
- Pattern Bars
- Deep Casting and Layering
- Kiln Carving
- Pate de Verre
- Kiln Casting
- Wafers & Cookies
- Sandblasting
- Acid Etching
- Murrini
- Pot Melts
- Woven Glass & Coral Bowls
- Raku Glass a la Lundstrom
- Laminating
- Glass and Print
- Multi Layering
- Deliberate Bubbles
- Paperweights
- Frit balls, Frit Gardens
- Photographic Decals
- Mosaic
- Stringer Bowls
- Enamels & Lustres
- Crackle Glass
- Pressed Glass
- Vitrigraph Stringers
- Vertical Pattern Bars
- Reactive Glass
- Stained Glass (using fused panels)
- Fossil Vitra (using organic material)
The good news is that I am starting to sell pieces and putting money aside to get a sandblaster and bigger kiln. It's all a bit like the church steeple fund - one day I'll get there and can set up a permanent studio at Daramalan and I will have the confidence to enter competitions and contact galleries.
Monday, September 26, 2011
Savitrine Glassworks Gallery Shop on the Web
Please visit the site and check out the items for sale.
Quite an impressive body of work so far even if I say so myself!!
Quite an impressive body of work so far even if I say so myself!!
Friday, September 23, 2011
Making Luto - Moulds part 2
Well I knew it was ambitious. The boat mould cracked even before it got to the kiln so now it is smashed up in a bag ready to be used as luto or grog (filler material). So undeterred I then made up seven moulds slightly smaller and measured the Hydrocal and Silica very carefully. Success I thought as they air dried perfectly! But they cracked when being cured in the kiln even though it was only fired to 400 deg C. They have been smashed into another luto bag. Don't you just love recycling?!
I have two more boat moulds made and am thinking of binding them with stainless steel wire and just firing them with glass in to see what happens. I suspect, inevitably, they will go into a third bag or the garbage can. Next step will be to actually make a boat with earthenware or porcelain clay, fire it and then use as a mould. Next update in about a month on my mouldy progress.
To cheer myself up I made the above platter which will be a raffle prize at my son's school in late October. Can't get a mould to work but my fusing and slumping is improving all the time.
Sunday, September 4, 2011
Making Moulds
My first real mould making experience and why not make it ambitious? I wanted to make a boat shaped piece of fused glass and used a porcelain serving bowl as the 'blank'. After filling it with Kleen clay and laying upside down on a board I covered it with mould release (dishwashing liquid I think despite the price!) and then built a dam wall around it with flexible perspex.
The mould material was a mixture of 6 parts Hydrocal (Calcium sulphate gypsum), 2 parts Silica powder and 1 part Grog (fine particles of old broken clay moulds). First I put enough clean water in a bucket to cover the mould plus a bit more to allow for absorption. The plaster mix was then spread onto the water a handful at a time. The first handfuls absorb the water and about twenty handfuls later the powder stayed dry as the rest had absorbed most of the water. The mix can be left for about ten minutes before use like this.
I mixed by hand until it coated my hand like full cream and there were no more lumps. Left for about 10 minutes until it started to set and then poured over the mould while pounding the board to eliminate as much air as possible. Whilst the plaster was setting I cleaned up all the utensils - into the garden and never down the sink as the plaster hardens in the pipes.
About 40 minutes later the plaster had set and I removed the perspex dam and the original porcelain 'blank' piece so that it can be used again. The ceramic mould is very heavy so it will need 7 days to air dry before drilling (vent) holes in the base and firing it at 120 degrees Centigrade for 3 hours and 480 deg C for 1 hour then cool to room temperature. Then, so long as it does not crack or break, I will fill with frits, stringers and scrap glass and fire my first boat. The plan is then to suspend it from a frame like a lifeboat. Keep you posted when it's finished and will post the 'boat series' as and when they come out of the kiln.
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